Over the past few weeks I have been working hard on various different scenes of my personal project. I have been directing, animating and editing together particular scenes of my project.
Shot 7
For shot 7, my job was to keyframe the door of the saloon opening. I made a rough sketch of the door opening and slowly tried to find each key frame of the process.
Rough Key Frames
Key Frames
Final Outcome (By Amy Marshall and Rachel Reid) (Background by Jason Lam)
My contributions to this scene are Keyframes only.
The next scene I completed was key framing shot 23.
Shot 22 Key Frames
For this scene in particular, I struggled with drawing the characters in that angle and distance, so it was highly out of my comfort zone. Happily enough, I managed to make it look decently drawn and timed.
Final Outcome
(In betweening and colouring by Amy Marshall) (Background by Jason Lam)
The next shot I worked on was shot 14. For shot 14, I did the inbetweening and colouring of the main character of the shot, Marow.
Shot 14 Key Frames (By Emily Kate Mullis)
Shot 14 In Betweening and Colouring
For this shot in particular, I need to make some slight adjustments after hearing some feedback on how the character talks. I need to colour in the gaps between his cheeks and make him open his mouth. I also need to add eyes and a eerie glow.
What went well:
- Decent contributions to the selected shots.
- Consistent linework and colours.
- Good communication between work partners.
What to improve:
- Tweak shot 14 to improve character movement.
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